Across a uniquely varied, multidisciplinary career dating back to the early '50s, Quincy Jones has not only assumed countless roles, he’s set the gold standard for each. Trumpet-blasting sideman to the stars. Entertainment-industry mogul. Join Napster and access full-length songs on your computer, mobile or home audio system. Perennial hit-making pop producer. But Jones’ Midas touch had never been more potent than on Michael Jackson’s game-changing 1982 LP, Thriller. Just as effortlessly, Jones imbued his score for the racially charged 1967 drama In the Heat of the Night with ominous symphonic soul, tapping into the dark undercurrents of an unsettled America and offering an implicit rumination on the Black experience that would be rendered more vividly through his funky ’70s recordings. An icon's classic '70s soul—and cuts from artists he inspired. Frank Sinatra’s go-to arranger. (Those louche, smoky grooves, in turn, became the foundation for countless hip-hop classics.) The records he produced on his record label, Qwest—George Benson, Patti Austin, James Ingram, and a late-career album for Frank Sinatra—provided sophisticated songs for Quiet Storm radio and beyond. His biggest legacy, however, is as a producer—a job he described as “part babysitter, part shrink.” Though his long footprint has been known to careen into jazz, bossa nova, and hip-hop, it’s the R&B, pop, soul, and soundtrack music he made in the ’70s and ’80s that define entire worlds, thanks to Q’s lush arrangements, perky percussion, and airy sounds—not to mention his work on Michael Jackson’s 1983 album, Thriller, the biggest-selling album of all time. Sure!, James Ingram & El DeBarge], The Color Purple (Original Motion Picture Soundtrack), Smooth Criminal (Michael Jackson's Vision), Man In the Mirror (Michael Jackson's Vision), Keep Reachin' (feat. That said, this is first-class big-band material by an arranger who seems to have arrived on the scene fully formed as an artist in his own right. Celebrity activist. the Austin Powers theme). Celebrity activist. Copyright © 2020 Apple Inc. All Rights Reserved. This is the early jazz sound of Jones, so fans of his '60s, '70s, and later material should be informed. The Dowsers is the first magazine about playlists, brought to you by top artists, writers and DJs. 10. (Remastered), One Little Finger (feat. His credits cut across jazz, R&B, and plenty of soundtrack work. When it comes to jazz and pop, the arranger has a global ear. Find Quincy Jones credit information on AllMusic. The maestro who helped Michael Jackson find the groove. Whatever Happened to My (Early 2000s) Rock ‘n’ Roll? Barry White, Al B. Quincy Jones - Ai No Corrida If you’re a stranger to Jones’ 1981 album The Dude, then go on, treat yourself… we’ll meet you back here in 41 minutes… The Dude blissfully fuses the jazz, funk and pop of Jones’ life's work to date, and features collaborations with countless world-class musicians and vocalists such as James Ingram and Stevie Wonder. Find album reviews, stream songs, credits and award information for Love, Q - Quincy Jones on AllMusic - 2004 - Love, Q features some of… How the L.A. One of the most accomplished figures in modern music, crossing jazz, R&B, film music, and pop over a seven-decade career entailing 27 Grammy awards. Perennial hit-making pop producer. Entertainment-industry mogul. Quincy Jones, Siedah Garrett, Kechi Okwuchi, Julian Lennon & Vishwa Mohan Bhatt). It's a double-disc set that contains his first few albums for Verve in their entirety, and a smattering of other tracks such as "I Could Write a Book," with Lena Horne.Sound quality is good, the package is budget, and so is the price. Sound quality is good, the package is budget, and so is the price. Across a uniquely varied, multidisciplinary career dating back to the early '50s, Quincy Jones has not only assumed countless roles, he’s set the gold standard for each. Oscar®-winning soundtrack composer. Frank Sinatra with Quincy Jones and Orchestra, The Secret Garden (Sweet Seduction Suite) [feat. It's a double-disc set that contains his first few albums for Verve in their entirety, and a smattering of other tracks such as "I Could Write a Book," with Lena Horne. His mid-’70s solo albums—and concurrent work with Aretha Franklin and the Brothers Johnson—simmered with soft-focus groove, bravado, slickness, and warmth. Frank Sinatra’s go-to arranger. In honor of Off the Wall’s 40th birthday, here’s a celebration of Jones—the producer—in his most iconic period. With a career that spans more than 60 years, Quincy Jones has one of music’s most formidable résumés: sideman, Dizzy Gillespie musical director, bandleader, label executive, arranger, soundtrack composer, TV mogul, and winner of 28 Grammys (so far). On the title track, featuring rappers Ice-T, Grandmaster Melle Mel, Kool Moe Dee, and Big Daddy Kane, you can hear the whining horn from Ironside that he had introduced nearly 20 years earlier. In the 60s, the Chicago-born Jones' bold, brassy arrangements exuded an uncanny mix of cocktail-clinking sophistication and in-your-face swagger, whether they were sprucing up Sinatra’s historic set at the Sands, buoying Lesley Gore’s subversively empowering sad-girl anthem “It’s My Party” or driving Jones' own “Soul Bossa Nova” (a.k.a. His early-’70s soundtrack work and TV themes mixed large orchestral vision with indelible jazz-funk rhythms. The Great Wide World of Quincy Jones: Live! Listen to albums and tracks from Quincy Jones. Trumpet-blasting sideman to the stars. Before diving into pop and R&B, Q was all about big-band jazz. Chaka Khan) - Single, 50 Years In Music - Quincy Jones & Friends (Live At Montreux Jazz Festival, Switzerland/1996). By the end of the ’80s, Jones had produced the record-breaking charity single “We Are the World,” garnered three Academy Award nominations for his work on The Color Purple, produced Jackson’s Bad, and taken his own victory lap with 1989’s star-studded solo album Back on the Block, winner of that year’s Grammy for Album of the Year. With a career that spans more than 60 years, Quincy Jones has one of music’s most formidable résumés: sideman, Dizzy Gillespie musical director, bandleader, label executive, arranger, soundtrack composer, TV mogul, and winner of 28 Grammys (so far). Quincy Jones: Standards (Great Songs/Great Performances), Harry Arnold + Quincy Jones = Jazz! Beat Scene Changed Modern Music, New York Still Cares: Interpol’s Turn on the Bright Lights Turns 15, How LCD Soundsystem’s Sound of Silver Became the Gold Standard for Modern Dance-Punk, Why Linkin Park Were So Much More Than a Nu-Metal Band, Bob Dylan’s 20 Best Songs About the Apocalypse, Four Tet’s Top 50 Remixes, and How They Provide a Key to Understanding His Music, Why Nicolas Jaar is This Generation’s Most Important Electronic Musician, Todd Hyman of Carpark Records’ 1990s Soundtrack, Rafael Anton Irisarri’s East of the River Hudson Playlist, Lettuce’s Top 21 Favorite Quincy Jones Songs, Windy & Carl’s The Post-Rave Comedown Playlist, JAY Z Is Choosing His Streaming Service Over His Legacy—And That’s Wrong, Vince Staples Collaborations: Anybody’s Killer, Going Dutch: Kendrick Lamar’s Best Guest Verses, The Best of Meek Mill’s Dreamchasers Mixtapes, Hot Chocolate: Damu The Fudgemunk’s Premier Productions, I Wish I Was a Spy: A Bond Movie Music Spectacular, Sly and the Family Stone: They Still Want to Take You Higher, P-Funk Sampled: 50 Years of Freeing Minds and Asses. Medley: What's New?/We'll Be Together Again. Its fusion of taut, post-disco dance grooves, sharp R&B hooks and rock attitude redefined the sound and scope of the modern pop album—and cemented Jones’ status as the link between popular music’s jazzy big-band past and its studio-sculpted, club-hopping future. Quincy Jones Has a Story About That (2018) Chris Heath’s 10,000-word profile of Jones is as extraordinary an interview as you’re likely to read this year. Oscar®-winning soundtrack composer. Rituals of Mine’s Playlist: Cryin’ in Public, Turning Jewels Into Water’s Playlist: Beats and Rituals, The Unawarded: Beloved Artists Who’ve Never Won a Grammy, Isaac Hayes Sampled: 50 Years of ‘Hot Buttered Soul’, The Sound of Liberation: Free Jazz Jams for Independence Day, Lady Plays the Blues: Killer Female Blues Guitarists, Erik Deutsch’s Hammers, Strings, Stops & Knobs, Kamasi Washington, Bob Dylan, and the Idea of Gateway Artists, How Pharoah Sanders Captured the Promise and Chaos of Revolution, Astral Traveling: The Ecstasy of Spiritual Jazz, Kamasi Washington and The Politics of Culture in Trump’s America, Off the Wall: Great Quincy Jones Productions from the ’70s and ’80s, National Treasure: Tina’s Best Vocal Performances, Echoes: The Impact of Michelle Branch’s “Everywhere”, Janelle Monàe and the Promise of a New America, Caipirinha Time: Cool Brazilian Sounds for Summer, How Los Prisioneros’ ‘Corazones’ Became an Electropop Manifesto, For “Winnie”: Anti-Apartheid Songs of Protest, David Byrne Presents: The Beautiful Shitholes Playlist, The Ultimate Guide to Latin Alternative Music, Pitchfork’s Recommended if You Like Dua Lipa’s Future Nostalgia Playlist, The Most Significant Soundtrack Songs of the Last Decade, Aziz Ansari’s Master of None Season Two Soundtrack, HighSchoolMixtape: How I Got Into Classical Music, Unplugged & Immortal: The Best Live Acoustic Performances, Happy Samhain: Ringing In the Dark Half of the Year, Other Tongue: Songs Sung in Fake Languages, The Original Riot Grrrls: Rock’s First All-Female Bands, Doors of Perception: The Songs That Introduced the World to Psychedelics, The Influence of The Lizard King: Great Artists Who Loved the Doors Madly, The Dark Dreams of The Doors, Baudelaire, and Rimbaud, Echoes: The Impact of “Break on Through (to the Other Side)”, It Ain’t Me: The Best of Creedence Clearwater Revival, Last Night a Disco Compilation Saved My Life: A Chat with Bill Brewster, Studs, Synths, and Liberation: A Brief History of SF Disco, Revolution, With Bongos: The Indie Disco Explosion, The Foreigner Strut: Mick Jones and Lou Gramm’s Sweet Science of Swagger, The Eternal Coolness of ’80s Coming-of-Age-Movie Music, Sometimes They Won’t Let You: Tina Turner and Other Genre-Benders, Why Tina Turner’s “The Best” Is The Perfect Workplace Soundtrack, Obscene Bass: Revisiting Miami’s Invasion of White Suburbia, Questlove’s Top 50 Hip-Hop Songs of All Time, The Best Michael Jackson Songs of All Time, Out of the Stacks: ’90s College Radio Staples Still At It, Concrete and Snare Drums: DJ Premier’s 25 Best Beats, The Best Britpop Deep Cuts and Forgotten Faves, Lin-Manuel Miranda and Anil Dash Teach You a Thing About New Jack Swing, 2010s: How The Swedes Dominated Another Decade, The Best 10 Hours of Music from 2018 (So Far), The Definitive Guide to Modern Rap for Old-School Hip-Hop Heads, Sharon Jones and the Daptonization of Modern Pop.

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